Jan Vermeer (1632-75) was little known outside Holland either during his lifetime or for more than 200 years after his death, yet he is now acknowledged to be one of the most gifted and intriguing painters of the seventeenth century. This film looks at the social, political and scientific context in which this most enigmatic of painters lived, from the birth of an independent Dutch society to the incredible developments in the fields of optics, astronomy and geography that so transformed the seventeenth century. Vermeer's life and his art is shrouded in mystery - he left no papers, no drawings, no clues as to the meaning or intention of his paintings, and he died leaving such substantial debts that his widow was forced to sell all his work. This film explains his revolutionary techniques and his exploratory process of pictorial composition while academics including Jonathan Miller and Svetlana Alpers discuss the meaning of Vermeer's settings and subjects, and the formal simplicity and intensity of feeling that make his jewel-like paintings so moving.

1919年，在共产主义者掌握匈牙利共和国政权后不出几个月，反革命的民族主义者就夺了权。警察和军队围剿反对派。以前的红军战士István Cserzi被追踪到农村。在发现那些女人秘密向婆婆和丈夫投毒后，作为农场的合法拥有者，István必须对自己的生活作出抉择。

In 1984. Zeynep lives in Diyarbakir with their three children. Zeynep seems to be in daily routine. Zeynep is going to visit her husband in prison.

In 1984. Zeynep lives in Diyarbakir with their three children. Zeynep seems to be in daily routine. Zeynep is going to visit her husband in prison.

四年后，萧衡终于出狱了，他故意避开了来接他的夏时笙，可是夏时笙不会逃避，她察觉到了萧衡入狱一定和自己有关，也想确认当年一直给自己送花的人是不是他。但萧衡想逃，因为他觉得已经配不上夏时笙了，而夏时笙却锲而不舍。

四年后，萧衡终于出狱了，他故意避开了来接他的夏时笙，可是夏时笙不会逃避，她察觉到了萧衡入狱一定和自己有关，也想确认当年一直给自己送花的人是不是他。但萧衡想逃，因为他觉得已经配不上夏时笙了，而夏时笙却锲而不舍。

《光与铁》是一部讲述因丈夫们的交通事故而交织的两名女子和围绕她们发生的秘密故事的电影，是执导短片《喊声》《季节》《冒险》等的韩国电影学院出身导演裴钟大执导的长篇处女作。 　　《光与铁》曾获邀参与第21届全州国际电影节、第43届首尔独立电影节、第24届塔林黑夜电影节。主演廉惠兰更在全州国际电影节上获得了演员奖，备受瞩目。

《光与铁》是一部讲述因丈夫们的交通事故而交织的两名女子和围绕她们发生的秘密故事的电影，是执导短片《喊声》《季节》《冒险》等的韩国电影学院出身导…

寻凶十九年，刑警小隋终于知道父亲为何殒命。他蓦然发现，原来这些年来，所有人都在一遍一遍地告诉他事情的真相——“你的父亲是个好人”。

由于中国近年来实施河流上游的天然林保护工程，东北关闭了几乎所有林场，林业部门由伐木转向护林。在长白山深处的一座关闭的林场里，艺术家看到一个废弃多年的塑料大棚，飘舞在空中的只有光和尘埃，就像一个置于时间漩涡中的废墟。艺术家用16 毫米电影胶片拍摄了这个梦境般的临界空间。在展览中，这个作品放置在入口走廊的上方。当观众穿过走廊的时候也好像置身于一个时空悬置的漩涡。